I’m excited to welcome a brave and talented guest today whose writing has led her to read with the wolves! Robyn Hood Black is the author of two children’s books, Wolves (Dalmatian/Intervisual Books) and Sir Mike (Scholastic/Children’s Press). She’s had poetry published in Welcome Home and Hopscotch for Girls, and she also has poems slated to appear in Berry Blue Haiku and Ladybug. In addition, Highlights Magazine will publish Robyn’s short story in 2011. I met Robyn at an SCBWI conference, and I’m thrilled she’s come to share with us her expertise!

Hi Robyn. How did you get started writing books for children?

As soon as I was old enough to put crayons to paper, I was making up and illustrating stories. I’ve always wanted to write children’s books. I made a (not so good) one as an art project in high school, and I think my first submission to a publisher was while I was in college. That manuscript was not so good, either!

I sought out opportunities to write at every stage of life, from school newspapers to community newspapers to church newsletters and local magazines, and I’m grateful for what I learned with those bylines.

It sounds like you’ve experienced it all in the world of writing! Do you think it’s helpful to build up a variety of writing experiences before tackling books?

For me, it was. When writing for any kind of publication, you have to think about audience and deadlines and making every word count — and working with an editor. When I got the contract to write WOLVES, which was part of a series, it had a very tight deadline. A writer friend looked at what the publisher wanted and the time frame, and she shook her head, saying, “I would be so overwhelmed…!”

I laughed and said I would be drawing upon my inner newspaper reporter — I knew the person who could crank out eight or more feature stories in a week in her 20s was still inside somewhere. And she was.

Wow — writing eight stories a week is a lot to keep up with! Were you influenced by any particular authors of children’s books along your writing journey? Who were your favorite authors when you were a child?

I remember riding my bike to the library as a kid growing up in Florida, and it always seemed like a magical destination. When I was very little, I loved P.D. Eastman’s Are You My Mother? and The Poky Little Puppy by Janette Sebring Lowrey. I loved Jean de Brunhoff’s Babar books.

Oh, my kids love those same books too!

Also, I would play those Disney storybook albums (kids today might not even know what an LP looks like!) and act out the stories as I turned the pages and took in that wonderful art. I remember appreciating Judy Blume’s Are You There God? It’s Me, Margaret when I was the right age for it, and Emily Neville’s It’s Like This, Cat.

I collected fiction and nonfiction books about animals, too, such as Walt Morley’s Kavik the Wolf Dog, all kinds of cat books, and Joy Adamson’s lion books. I still have most of those books, and the records!

What a wonderful collection you must have! OK. Let’s talk about WOLVES! Over the summer, I read Jean Craighead George’s 1973 Newbery winner, Julie of the Wolves. How did you begin working with wolves?

Jean Craighead George has always been one of my heroes. She turned 91 this summer, I believe. Getting the contract to write a book about wolves was a dream come true. I learned so much during the research (and I’m still learning!).

While writing the book, I wanted to observe/photograph/sketch real wolves. I discovered that the Chestatee Wildlife Preserve in Dahlonega, Georgia — not far from my home — had a couple of wolves at that time. I visited them, and the next spring (2008) met two female pups born there, Juno and Luna.

They were four weeks old, and I immediately filled out the paperwork to volunteer there. I’ve worked with animals my whole life — mostly my own and also as a volunteer — and I’ve been lucky to have friends who are professional trainers.

I see the cover of your book, which is WOW KINDA SCARY, and then I see pictures of you hanging out with wolves. Have you ever felt like you were in any danger?

That is a striking picture, huh?! Illustrator Colin Howard did a terrific job. To answer your question, No, BUT — I always stress to kids that wolves are not dogs! Our dogs came from wolf ancestors, but wolves are still wild, even those in captivity. I respect that about them and am conscious about things like body language, the tone of my voice, energy level, and personal space.

We used to have horses — one was particularly difficult; hence the relationship with one particular trainer friend! — and I find working with wolves is more like working with horses than with pet dogs. Instincts are always at the forefront. Dogs have been domesticated over thousands of years; wolves have not.

As an example, one of the worst things about tearing my Achilles this past spring was that I could only interact with Juno and Luna through a fence when I finally made it back out there. My dogs at home were happy to hang out with me on the couch and not count my weakness and vulnerability against me. But around predators, even socialized ones, you have to respect their natures.

I’m confident with the wolves at the preserve because I’ve volunteered with them since they were young pups, but I keep in mind that they are wolves. By the way, a male wolf pup came to the preserve this summer, and he’s been a joy to work with.

Can you tell us a few interesting facts you learned while writing your book on wolves?

Wolves and people have much in common. Both live in social groups with dominance hierarchies, and they work (hunt) cooperatively. They are fiercely loyal to their families. In a wolf pack, usually the top male and female are the only ones who breed, and their pack is really an extended family, usually including pups from previous litters who haven’t struck out on their own yet to form new packs, and sometime an outside member or two.

All the pack members help raise the litter of pups born in the spring. Wolves are wild about pups! The older pack members tolerate their antics and help discipline them when necessary. Another interesting fact — did you know most wolf hunts don’t result in a meal for the wolves? Wolves offer lessons in persistence, something very helpful for writers seeking publication!

Hey, that is so cool! I’m going to have you and your wolves to thank if I ever persist long enough to publish a children’s book! Robyn, I know your school visits are very popular. What’s it like for you to give a workshop at a school?

I LOVE school visits. They take a lot of preparation and energy, but something magical happens during that sharing time with young readers and writers. It’s always a privilege to explore stories and the creative process with kids.

Can you give us any tips on what makes a good school visit?

Starting small is a good way to get your feet wet — volunteering to lead a writing activity in your child’s classroom, for instance. Teachers usually love exposing their students to folks who are passionate about reading and writing and who have something to offer which reinforces what they are teaching.

Your first school visit doesn’t have to be a full-fledged paying author visit with 400 kids on a gym floor. Those are fun, too, but you can work up to that! I always enjoy tailoring programs to specific things the kids are learning. If I can present concepts in a fun and different way, everybody wins!

In a memorable school visit, the author’s passions — for writing and for subject matter — shine through, and he or she is comfortable leading a group of enthusiastic children. Kids, like wolves, thrive on leadership and mutual respect!

You make school visits sound like fun! Do you have any advice for moms who would love to write books for children, but need to carve out a little time and space to create?

First, don’t give up! When I was a stay-at-home mom with small children, sometimes the best I could do was keep my little toe in the waters of writing. But parenting is the most important job on the planet, and when kids are small, it doesn’t leave room for much else (unless maybe you have lots of family members around who love to babysit). Even though my kids are teenagers now, that family-work balance can still be a challenge.

That said, it’s important to take your talents/gifts/interests seriously, or nobody else will. (They still might not even if you do!) If you can leave Dad or Grandma or a trusted friend in charge for a weekend, a conference can be a wonderful break from your daily demands and source of inspiration, for now or for later.

Just think — 24 to 48 hours of adult conversation about children’s books? Ahhhhh. I’ve been a regular conference attendee since my kids were little, and the focused attention to craft not only helps my work, but the networking and friendships continue to enrich my life.

On the home front, even if you can eke out only a few minutes a day to write a paragraph or jot down project ideas or read an article on publishing, take that time. And know that some other “stuff” will not get done. But you’ll be modeling the nurturing of your own gifts for your children, and that’s valuable.

Your husband and children, wonderful as they are, are probably not going to tell you, “Honey/Mom — the world really needs your creative vision. Here, we’ll do all the laundry and grocery shopping and remain quietly in the background while you finish your story.” So you have to believe in yourself and claim a little territory!

Ha! You’re too funny! That does sound like a dream conversation! Can you tell us your number one secret for getting published?

Still working on that …. Actually, speaking of conferences, I have to say getting involved in SCBWI (the Society of Children’s Book Writers and Illustrators) is my number one piece of advice to anyone who wants to jump into the world of writing and/or illustrating for children.

Our Southern Breeze region is very active with lots of dedicated, generous folks. Having said that, it’s important to remember that all the networking in the world — all the blogging, web-surfing, book reviewing — is not a substitute for actually writing.

The most important thing to do if you are serious about writing for children is to develop your craft by reading lots of books in the genres you want to write, and then to write, write, write.

Thanks for this great advice! Here’s one last question, and then I’ll let you get back to your own writing! What are you working on these days?

I recently finished my first novel (round one, anyway) and have sent it off to the first editor on my list. It’s historical fiction and required tons of research! I’ll keep you posted if it receives any interest.

I have a couple of picture book projects I’m hoping to find homes for, and I continue to write and submit poetry. I’m fortunate to have some great critique group partners, and my husband and kids are used to my shoving new works under their noses for feedback. My daughter just left for college, and I’ve already emailed her some works-in-progress!

Thank you SO much, Robyn! You’ve given all of us some wonderful, practical ideas on how to give our creative life the push it needs to meet the real world of publishing. We wish you the best with your future endeavors!

Thank you again for having me, and best wishes in your parenting and writing!

Please visit Robyn Hood Black’s website to keep up with her exciting world of writing. You can also hear Robyn speak IN PERSON at the upcoming SCBWI Southern Breeze Writing & Illustrating for Kids Conference! She’ll be co-presenting two workshops with writer and media specialist Sharon Wright Mitchell on breaking into magazines and how to create successful school visits that tie into curriculum.

Wow. That’s a major book club, don’t you think?

It’s part of the Common Book program that more than 100 universities are starting to participate in. This reminds me of our own community’s Big Read last spring, when we all read To Kill a Mockingbird together. Can you see how a bookish person likes me gets excited about these types of programs?

So, I had Three Cups of Tea on my mind all summer, wondering what’s so great about it that an entire university would be reading it together. Sure, it was a #1 New Times Bestseller for months, but just because it’s selling millions of copies doesn’t mean I’m going to fall in love with it.

But I did. Oh … there is something rich between the covers of this book that reached the core of me. It’s changed the way I view the world. I hope you’ll get a chance to read it, if you haven’t yet. Especially if you’re a woman. Read it, and you’ll understand.

The story begins with Greg Mortenson’s failure to climb the K2 mountain in Pakistan, the second highest mountain in the world. He almost froze to death one night when the porter carrying his heavy backpacks disappeared far ahead. Greg wandered around lost for a while, and ended up in a village called Korphe.

While staying in this village a while to recover his strength, he was overwhelmed by the kindness and generosity of the people. There were children everywhere, and when he asked the elders where these kids go to school, he got some sad looks.

He discovered dozens of children huddled together in the freezing cold scribbling their math equations into the dirt with sticks. From this point on, he vowed that he would someday return to this village and build them a school.

The book is a page turner. He goes from one hard time to another — living out of his car trying to scrape together his own meager living and keep his dream alive. He writes 300 letters on a rented typewriter until some kind soul shows him how to use the “cut and paste” option on a computer, and then he sends out 280 more. At last he finds a person willing to back him up financially so he can build that first school, Dr. Jean Hoerni.

The rest of the book recounts the trials and adventures Mortenson encounters as he builds that first school in Korphe — which leads to launching a whole organization, Central Asia Institute, dedicated to promoting world peace through education. He builds not only schools, but also relationships with people in the war-torn regions of Pakistan and Afghanistan.

As you’re reading, you suddenly get the big picture that schools lead to educated minds who are less likely to be recruited by terrorists, and who are less likely to strap bombs to themselves and blow things up.

You realize books lead to peace. And so Mortenson’s mission becomes your own.

There’s now a Young Reader’s edition, which has full-color pictures and a simplified text. I think this would be a fantastic book for teachers or parents to read out loud. Students can also participate in the Pennies for Peace program.

The title of the book comes from the way in which the people in central Asia conduct business. Mortenson’s mentor, Haji Ali, teaches him:

The first time you share tea with a Balti, you are a stranger. The second time you take tea, you are an honored guest. The third time you share a cup of tea, you become family, and for our family, we are prepared to do anything, even die.

If you have a few minutes, I encourage you to watch this short interview with Greg Mortenson. You’ll be amazed. I can definitely understand why an entire campus will be reading and discussing this book together, and who knows how many new dreams will be launched from this shared experience.

(I’ve heard the story continues, with the 2009 published sequel, Stones into Schools.)

All photos are complements of Central Asia Institute.

I’m happy to welcome Hester Bass as my guest today. If it’s possible to fall in love with a picture book, I fell head over heels for Hester’s award-winning book, The Secret Life of Walter Anderson. I think you will too, when you hear the story behind it!

Hi Hester. I loved your book! Can you tell us how you got the idea to write it?

Thank you, Heather! This book did percolate for a long while. Here’s the scoop. In the early 1980s, my husband Clayton and I were introduced by a Mississippi friend to the work of Walter Anderson, and we were captivated by his broad range of work and adventurous life.

We first saw an exhibition of his work in the mid-80s in Columbus, Georgia and then in 1992 we visited the Walter Anderson Museum of Art (WAMA) in Ocean Springs, Mississippi. Anderson’s work seemed to vibrate with intensity, we were transfixed by the murals, and the town of Ocean Springs with its warm friendly people and main street lined with ancient live oaks charmed us instantly.

In 1996, my husband accepted the position of executive director of WAMA and we moved our family to Ocean Springs. I got to know the extended Anderson family, learning more and more details about this extraordinary American artist. I performed as a storyteller then and told Anderson’s life story to the school groups who visited WAMA. The children really leaned into the tale of a man who rode a bicycle instead of driving a car, who could draw with a crayon as expertly as with pen and ink, and who had a special relationship with nature.

Wow! I can see how kids are drawn to his unique personality.

I was absolutely compelled to tell the story of a man who lived under his boat on the beach of an uninhabited island, sometimes eating whatever washed ashore, so he could capture in words and pictures the beauty of the Gulf Coast. I wrote the first draft in 2001, sold the manuscript in 2006, and the book came out in 2009 — but, in a way, it took me over 25 years to write this book.

It was definitely worth the wait! In light of the recent Gulf oil spill disaster, what do you think readers can learn from the life of Walter Anderson?

Although Walter Anderson was widely traveled, most of his art represents what surrounded him every day — pelicans, dolphins, and turtles right down to the lizards, dragonflies, and shrimp — and everything he loved on the Gulf Coast has been threatened by this oil spill. It is an unfathomable tragedy, likely to have even more long-term effects than Katrina.

Walter Anderson was as much as naturalist as an artist and a keen observer of nature. He was among the first to sound the alarm in the 1960s against the effects of DDT on the pelicans, since he saw that something was thinning their eggshells and threatening the species.

I didn’t know that about DDT and pelicans. That sounds scary.

Walter Anderson spent his life striving to bring art and nature into one thing, and I think he succeeded. When I look at his art, the vibrancy of the image draws me in and l have a new appreciation for whatever he is showing me. While I hesitate to place a meaning on anyone’s life or art because every reader or viewer brings his or her own interpretation to bear on the work, I can share the meaning that Walter Anderson’s life speaks to me: get outside and experience the infinite beauty of the natural world.

This is especially important for children. The environment and way of life of the American Gulf Coast are treasures that must be preserved and protected for all to enjoy, and I hope stricter safety measures will be placed in effect to secure greater safeguards against environmental degradation in the future.

I agree. In your book, Walter Anderson often visits Horn Island. Where is this island located? Have you ever been able to visit it?

Horn is a barrier island about twelve miles off the Mississippi Gulf Coast. The only way to get there is by boat. I’ve been there several times, and it truly is a magical place that makes me feel I am at the edge of the world. It’s now part of the Gulf Islands National Seashore and a ranger lives there, but Horn retains the feel of an uninhabited island. There’s no dock so you pull into the shallows and wade ashore as the fish and crabs scurry out of your way. Very quickly though, if you are still and quiet, nature closes back in around you and one begins to realize the appeal of such a place for an artist.

Anderson wrote that he wanted to become a part of nature and not an interruption to it, and this is possible on Horn. Yes, the temperatures can be extreme and the insects are legendary, but Horn is one of my favorite places in the world.

Oh, you make me wish I could go there! Your text goes along beautifully with the amazing illustrations of E.B. Lewis. How did the two of you get matched up to work together?

One of the biggest misconceptions about writing for children is that authors and illustrators work together; usually they don’t talk about the project at all, much less meet, but this case was different. My fabulous editor at Candlewick Press asked my opinion regarding an illustrator, and I felt E. B. Lewis was a superb choice; he’s a gifted watercolorist and someone whom I felt would understand Walter Anderson’s journey as an artist. We met at a conference in 2007 but didn’t talk about the book; we just got to know each other a bit. I learned it was his habit to use photographic references and that he posed models and props to achieve the look he wanted.

In July 2008 I received an invitation to accompany him to Ocean Springs, Mississippi since I knew the people and could help him gain access. We spent a very busy but very fun week in Mississippi, and two of Walter Anderson’s children graciously posed as their parents. His other two children offered their support with locations and getting us to Horn. Many people on the coast have commented to me that E. B. really captured the light and the water accurately, both hallmarks of E. B.’s gorgeous paintings.

Yes, the water is painted so beautifully in the book.

Luckily folks will soon have a chance to see those paintings for themselves in an exhibition called “Creating The Secret World of Walter Anderson” that will open at WAMA in September 2010 and then tour other museums. The show will feature the sketches, photographs, and other aspects of the preliminary work; all the paintings used as illustrations in the book; and originals by Walter Anderson. I’m excited to see all this in one place myself!

I hope this exhibit will travel to a museum near me — I’d love to take my family to see it. Were you surprised when your book won the “Orbus Pictus Award for Outstanding Nonfiction for Children?” What is this award all about? Has it opened any doors for you?

Oh my goodness — yes! — “surprised” is an understatement. The annual NCTE Orbis Pictus Award for Outstanding Nonfiction for Children is given by the National Council of Teachers of English, established for “promoting and recognizing excellence in the writing of nonfiction for children” following the literary criteria of accuracy, organization, design, and style. It’s a big deal, to say the least!

I happened to meet the chair of the Orbis Pictus Committee at a conference in New Orleans in November 2009, and she mentioned that she had seen my book and liked it. Well, I was thrilled just to know that the committee was aware of it! The NCTE was set to announce the award on the same day in January as the ALA awards — the American Library Association announces several awards that day, including the other national award for children’s nonfiction: the Sibert Medal — so that day was marked on my calendar as it is every year since it’s considered the “Oscars” of children’s literature. (One hopes but one does not expect, if you know what I mean. )

The weekend before the announcement I was at a book festival in Texas — Beauty and the Book — rooming with the lovely and talented Kerry Madden. After a very full Friday, I checked my e-mail about 11:30 at night and found one with the simple subject “news” from the Orbis Pictus committee chair.

She said that knowing I was out of town and that ALA’s conference was in Boston — meaning that likely everyone from Candlewick Press was there — she thought I might not hear the “news” in a prompt manner so she suggested I visit the NCTE website since it had been updated a little early. “Congratulations!” she said. Hmmm. When I clicked the link and saw my book cover load in, I screamed — you can check with Kerry — and whooped and hollered with joy! Then I started making the phone calls — yes, at nearly midnight — which continued into the next day.

I really can’t describe the exhilaration of that moment. An award like the Orbis Pictus brings so much attention to the book — and thus to Walter Anderson and his incredible art — that I could never accomplish on my own. I am so deeply grateful, and look forward to thanking everyone in person when I accept the award at the NCTE conference in Orlando in November 2010.

That’s true — all the attention your book gains will help increase awareness of Walter Anderson’s life and work. On a different subject, when I’ve heard you speak at SCBWI conferences, you seem to have a heart for encouraging new writers. What advice would you offer to a writer who has a dream on one day publishing books for children? Is it worth the ups and downs and all the risk?

To answer your second question in a word: yes. It’s worth it. Writing, as any creative pursuit inevitably does, involves the risk of exposing some of your inner life to the opinions of others, which can be very tough to bear. You have to want to write, to be published, to promote, to work hard on every aspect and understand that writing is an art but publishing is a business.

You have to want to succeed and “keep your eyes on the prize” because along the way there will absolutely be setbacks, criticisms, and disappointments to be sure. But. If you work very, very hard to put only your very, very best work in front of an agent or publisher, dreams can absolutely come true; I am living proof.

You’re right, I do love to encourage new writers. I remember very well what it was like to be one because I still am a beginner. I learn new things about myself through writing every day and hope to never lose that beginner’s mind and enthusiasm.

My advice for the dreamers: Go for it. Read constantly, especially in the genre of books that you want to write. Read books on the craft of writing and discover how you work best. Attend conferences to network with writers and be critiqued by professionals. Get out and meet people who love stories — librarians, teachers, and booksellers.

Deconstruct favorite books to see how all the pieces fit together. In my opinion, it is much more important in the beginning to spend time polishing your work until it shines than to spend your time submitting work that is not ready. The greatest mistake most beginners make is to submit a manuscript to an editor or agent before it is the best it can possibly be.

Competition is fierce, but a finely crafted story with vivid characters and a snappy plot that hooks a reader and won’t let go is what every editor is looking for.

Thank you for all of this advice! You’ve encouraged the dreamer living in all of us. Hester, is it true that you once appeared on the TV game show, “Who Wants to Be a Millionaire?” What was that like? Did you get really nervous or was it mostly fun?

I’ve actually been on two TV game shows and let me tell you, it was fun fun fun! I was on “The $50,000 Pyramid” with Dick Clark when I lived in New York back in 1981. I won a pen and pencil set, some car wax when I didn’t own a car, and some towels. My game went to a tie-breaker and I lost by a few seconds so I didn’t get to the Winner’s Circle.

Then after two-and-a-half years of trying to get on the show, I returned to New York in 2002 to be in the Hot Seat on “Who Wants To Be A Millionaire” in its first season of syndication with Meredith Vieira. I had been writing for a year or so but needed a cash infusion to get serious about it — attend conferences and such — so this would be, as they say, “life-changing money” for me.

What a dream come true!

Being a game show contestant is definitely nerve-wracking, but I’ve been an actress and a singer and was somewhat accustomed to the pressures of performing in front of an audience. Still, being in the Hot Seat is a unique experience — one mistake and you’re out. I relaxed a bit once I’d used all my “lifelines” at $16,000; then it was just me and the questions.

I successfully reasoned or just plain guessed my way to the $250,000 question, and when I saw it was about “Star Trek” I thought I had it for sure — but it was something that was never on the show. Play along!

Lt. Uhura’s name comes from a Swahili word meaning what: Heaven, Freedom, Travel, or Justice. I felt sure it wasn’t “Heaven” or “Travel” but I couldn’t choose between “Freedom” (the obvious answer, I thought — too obvious) or “Justice” (which could also fit the times and the character) so I had to walk away with $125,000. Whee! I couldn’t sleep until I got back home.

That’s still absolutely amazing!

Oh, and the answer? My guess would have been “Justice” and it would have been wrong: the answer was “Freedom.” I’ll never know what my last two questions would have been, and you know what? That’s okay, I’m happy.

I can see why — you still came home with plenty to get you to that first writer’s conference. One more question — what’s next for you? Are you working on another book or planning a new adventure? Do you still want to be in a movie and go visit New Zealand?

Next up: I’m going on tour again to appear at bookstores and speak at conferences. I’ve got some school and library visits on my calendar. I’m thankful to say the book also won the 2010 SIBA Book Award for Best Children’s Book given by the Southern Independent Booksellers Alliance, so I’ll be headed to their conference to thank all the marvelous book lovers who keep independence alive.

Congratulations!

Of course I still want to be in a movie (hint, hint to Christopher Nolan — my favorite director!), and New Zealand is the #1 place I want to visit (all those locations from the Lord of the Rings movies — wow!) and my list goes on and on.

I am always writing new stories but I don’t like to talk about them until I have a signed contract; then I can barely stop talking about them. Look for more nonfiction — especially picture book biography — and I hope to break into fiction. I’m writing/ rewriting a novel. So I better get back to it.

Thank you so much for taking the time to share with us, Hester, You’ve inspired us with our own writing journeys!

Thank you for inviting me to your blog.

Please visit Hester Bass at her website to learn more about her and her wonderful books. I love this quote she shares from Walter Inglis Anderson:

“True art consists of spreading wide the intervals so that imagination may fill the space between the trees.”

I was overjoyed to be able to invite some of my friends and their daughters to a rated G movie. I didn’t have to worry about any questionable material. This film was so much fun! My girls love Selena Gomez, and the little girl who played Ramona, Joey King, was absolutely adorable.

If you’ve read the whole Ramona series, you’ll see how the script writers cleverly wove together scenes from several of Beverly Cleary’s books. The overall plot centers around the storyline from Ramona and Her Father, when Mr. Quimby loses his job. Throughout the movie, tension builds because Ramona is afraid they’re going to lose their house, so she’s constantly coming up with schemes to earn some money.

And of course, she gets into lots of trouble.

I thought this was a very appropriate theme for families to see together, with the shambles our American economy is still in. Many parents have been hit with job loss, like Mr. Quimby. Yet, in the movie, good things begin to happen, as Mr. Quimby spends more time with his family between job interviews, and he begins to unearth long-ago talents and desires. There’s a scene where Ramona and her dad spend an afternoon drawing together on the floor that is so full of the joys of parenting.

You can read a detailed review on Focus on the Family’s Plugged-in site. Ginnifer Goodwin, who plays Aunt Bea, and Josh Duhamel, who plays Hobart, create a wonderful romantic subplot. I promise you’ll need to bring some tissues. I left the theater with mascara streaks all over my face.

In Beverly Cleary’s interview on her 94th birthday, she does confess some reservations about Beezus and Henry sharing an on-screen crush. She says:

I wanted the film to be called Ramona Quimby or Ramona Q, because it’s about a little girl, but the movie people were very concerned about their teenage audience and made Beezus older. They included Henry, which I did not want and even had them kiss. I asked to have that scene removed and at this point I don’t know if they did. I expect to get letters saying, “It wasn’t like that in the books.” The little girl who plays Ramona is excellent. She likes my books and was eager to play the part. I’m very pleased with the cinematic Ramona.

I personally found it magical to see Ramona on the big screen. I read the books as a child, read them again to my children, and now have seen a director bring these wonderful characters to life. I remember in Beverly Cleary’s memoir, My Own Two Feet, she describes how she came up with the characters, Beezus and Ramona. She created Beezus as a friend for her main hero, Henry Huggins. And then she thought she’d better give Beezus a sibling, so one day she heard a neighbor call out, “Ramona.” And she thought that was a good name. This took place around 1950.

Ah … and the rest is history.

Go see the movie. Enjoy it. But then go to your library or bookstore and get copies of all the books. Read them aloud as a family — and have FUN!

Hey Moms and Book Lovers!

I just found out about this very cool program for kids. We were shopping at the mall recently looking for new backpacks and school clothes, believe it or not, and we slipped into Borders to see what was new in the children’s book department.

I found out it’s not too late for your kids to join in the Double Dog Dare Summer Reading Club. All you have to do is go here and print out the form, then have them fill in ten books they’ve read since school was out. You have until August 26 to turn the forms in, and your kids can win a free book!

The books they can choose from are awesome:

Ramona the Brave, by Beverly Cleary
Miss Daisy is Crazy! by Dan Gutman
Flat Stanley, by Jeff Brown
Dear Mr. Henshaw, by Beverly Cleary
The Ruins of Gorlan, by John Flanagan
Hoot, by Carl Hiaasen
The Witch of Blackbird Pond, by Elizabeth George Speare
Johnny Tremain, by Esther Forbes
The River, by Gary Paulsen
Kristy’s Great Idea, by Ann M. Martin (Babysitter’s Club)

Hmmm … in looking over this list, I realize we already own most of these books. But I still plan to go pick up our free copies because, don’t you know, books make great birthday gifts! And they also make nice teacher gifts as well, since I know teachers love having their own stash of great books for kids to read.

Isn’t this a fun idea? Thank you, Borders marketing people! We moms need all the help we can get motivating our children to read.

P.S. Even if you don’t join the program, be sure to read Wimpy Kid author Jeff Kinney’s letter to educators about the importance of reading.

When my youngest daughter slipped this book into our library tote, I thought, “Huh? What’s she trying to say to me?” Secretly, I couldn’t wait to read it, and it made its happy way to the top of our reading pile.

Rarely do I review a picture book, out of the hundreds we read every year. But this one was too adorable to keep to myself, and it also struck a deep chord within me.

I wondered how author Kate Feiffer would handle this topic. I think, deep down, many of us mothers worry that maybe something we’ve said or done will mess up our children’s lives. (Do you?)

The narrator begins her story by telling us how wonderful her mom is:

She makes people smile.
She makes people clean.
She gives hungry people food.
She takes people where they need to go, and then she brings them back home again …

After praising her mom a bit, she then poses the question, “If my mom is such a nice mom, why is she trying to ruin my life?”

She expresses five ways her mom is ruining her life, including such horrors as talking too loudly in public and preventing her from having dangerous fun. The narrator begins to hatch a top-secret escape plan that will bring her freedom. Except, in her imagination, the plan ends up with the police putting her mom in jail, which isn’t so great.

In the same way Laura Numeroff’s If You Give a Mouse a Cookie takes readers on a journey of one hilarious event leading to another, Feiffer’s tale becomes more and more outrageous. Next, the little girl’s dad must get involved to help get the mother out of jail, and she goes on to explain several ways her dad is also trying to ruin her life.

But if both her parents end up in jail for trying to ruin her life, who will take care of her? Who will feed her supper and read her bedtime stories?

It was a relief for me to read this book because it brought humor to the delicate situation of how today’s parents feel the need to overprotect. And since it’s told from a child’s point of view, young readers will be able to relate to the character and realize … hey, other kids have to deal with this too.

I sometimes feel jealous of women who raised families 50 years ago, when the world was a much safer place. They could kiss their children goodbye in the morning and let them walk to school, along with a friendly pack of neighborhood kids. They could let their kids explore the town by bike, like Opie in The Andy Griffith Show.

In my hometown, a little girl was murdered a few years ago when she went off by herself riding a bike, and I remember thinking, “I can’t believe it’s become too dangerous to let kids ride bikes these days!” So now all our bike riding is done as a family, with parental supervision. Like the mother in this book, I drive people places and I bring them home because I want to know where they are, who they’re with, and what they’re doing. But it can be exhausting, all the keeping up!

This is a reassuring book for moms (and dads) that what we’re doing is important work, and it’s no small thing to make a little girl feel loved and safe. Diane Goode’s illustrations capture the humor on every page, with enough detail to render multiple readings an enjoyable task. (Goode illustrated another of my all-time favorite picture books, Cynthia Rylant’s When I Was Young in the Mountains.)

After checking out Kate Feiffer’s website, it looks like she and Goode have teamed up to create another humorous picture book, But I Wanted a Baby Brother! I’ll have to add this one to my reading list.

Here’s a cute video where girls explain how their moms embarrass them. I hope it make you smile!

My daughters love anything relating to princesses, so we have a super fun guest today who wrote THE BOOK on how to become a princess. Lindsey Leavitt’s debut novel, Princess for Hire, released in March.

Hi Lindsey. Welcome to Mom 2 Mom Connection. I heard you just returned from the American Library Association conference in Washington, DC. What was it like being there as an author?

Man, it was amazing. Every aspiring author has a list of publishing dreams, and this was big on mine.

Librarians are amazing, open, thoughtful, funny, smart people and it was great having book conversations. I love book talk. Plus, it was very surreal to have a few KNOW WHO I WAS (sure, the name tag helps, but I like to pretend I’m a Diva sometimes).

Sounds like a blast! What was the highlight for you?

Newbery/Caldecott dinner. The speeches were pitch-perfect, the chicken breast wasn’t even dry, and ten-year-old Lindsey felt like she’d arrived at the book Olympics.

Your debut novel, Princess for Hire, draws readers into the world of real-life princesses. Did you have to do any research on foreign cultures or customs as you wrote your book?

Research! Yes, I did tons — much more than I would have thought, but fun nonetheless. Pretty legit when you get to buy the PEOPLE Royals Addition and count it as work.

I wanted the scope to go beyond Europe, so I looked at royal traditions around the world. I didn’t want to lock myself into one country, though, so I went with a geographical region and tried to create a general atmosphere. The Amazon one was especially fun to research, as most of what happens to Desi (except for the magical stuff) is based on real customs.

I did a few library visits, looking at those basic country books used for elementary school reports. This gave me an idea where to start, then I researched a handful of countries in depth. I wrote two princesses that never made it into the story, but might in later books, especially since I was so fascinated with Eastern Asian culture. I want a ninja princess in there. Ninjas are awesome.

A NINJA PRINCESS — that will definitely be a hit! Did your previous job as a substitute teacher help you any as you wrote your first novel?

For sure. I never really felt like I knew what I was doing as a sub. Every day, it was a different school, different grade, different kids, all with their own challenges and problems. Often, I would have one page of notes that didn’t help much.

And, let’s be honest, lots of people think subs are idiots. Although I had a degree AND had a couple of years of teaching experience, secretaries would often talk really slow, or the teacher would write “Have them read for an hour” in the sub plans, like actually teaching was a massive improbability.

So I really tapped into that as I threw Desi in all these new situations. Not to mention, I would often write during teacher prep-time, lunch, etc. Nothing publishable, mind you, but it got me interested in writing.

What has been the most surprising aspect of being a first-time novelist?

I guess I thought getting a book deal would be all the literary validation I needed. I was surprised that there was still so much angst on the other side of the publishing rainbow — revisions, reviews, follow-up books, covers. BUT, having a real-live book in print sweetens all the strife. It’s something concrete and real and, in my case, sparkly.

Being the mother of three daughters, I’m sure your home is immersed in the world of princesses! What do your daughters think of all the excitement surrounding their mom’s new book?

They want pictures. They are begging for a book with pictures and not all these boring words. So the princess thing gives me some street-cred, but I’m no Jane O’Conner (Fancy Nancy). My three-year-old also asked why I can’t be a dog groomer, because then she could pet a dog instead of a book.

So I gave her a tiara, and I’m cool again.

Oh yes, life is always better when wearing a tiara. My daughter has tried to sleep in hers. Do you think it’s helpful for writers to be part of an online network of fellow writers, such as your Tenners blog? How did this group come together?

The Tenners have been invaluable. When I sold my book, I wanted to join the Debs (2009 debut group we are modeled after), but I was winter 2010. I was lamenting this with a friend, and she said, “Uh, start your own group.”

So I did, with the help of Heidi R Kling (SEA, Putnam). At first, I just googled around, finding other 2010 authors, and once word got out, people wrote asking to join.

How many authors are in the group now? Do you have plans to stick together beyond the year 2010?

We had to cut it off last October, when our numbers were almost 100. I’ve made some wonderful friends there, and I think we’ll have the group going for a long time. It’s a great resource for all the questions that come up, like “I don’t like my cover, what do I do?” or “I’m doing a signing in New York, who is in?”

Now that Princess for Hire has made her grand debut at the ball, what you do have coming up next?

I have a YA contemporary called SEAN GRISWOLD’S HEAD that will be out with Bloomsbury in March 2011. It’s a story with first love, first loss, and spandex. But not too much spandex. I have to keep it tasteful.

Well, for us 80s moms, Spandex is always in. We just can’t be seen wearing it in public.

And, of course, the next book in the PRINCESS FOR HIRE series will be out in early May. More scandals, more Desi, and yes, more princess.

We can’t wait! Here’s one last question — How do you get yourself into the writing groove, when kids, house, husband, and everything else demand your attention? Do you have a special time or place in your house where you can be alone to write, or can you pretty much write anywhere?

My very best writing still happens at night, when it’s totally quiet and there is nothing else I have to do. It’s still a challenge, even with this being my job now, to prioritize writing over all the family goodness.

I usually write in spurts, like take a weekend and write non-stop, then don’t write for a week. I can write anywhere — couch, bed, library, Starbucks — but I have this weird thing about having my feet up when I write. Yes, they’re up right now. I want to hire a foot rubber when I hit it big. Now accepting applications.

Couldn’t we all use one of those? Lindsey, this has been too fun. Do you have any parting words of wisdom for parents who’ve been bitten by the writing bug?

Do it. As much as you can, as often as you can. When you aren’t writing, read. Read, read, read. Write, write, write. And enjoy your kids, because they are not only the best part of life, but they offer some wonderful material.

That’s so true! Thank you for this refreshing interview, Lindsey. We look forward to keeping up with you and your books!

Thanks so much for having me Heather and Heather’s wonderful blog readers!

Lindsey Leavitt can be found hanging out at her sparkly website and blog. Her royal book even has its own home, so be sure to stop by and check out the bling.

We’re in for a treat today — a visit from Georgia author, Deborah Wiles. I cannot begin to tell you what an influence this woman has had on my desire to write for kids. She was the keynote speaker at the 2008 SCBWI conference in Atlanta, and ever since then, I’ve wanted to share some of her advice with you. This month marks the release of her newest novel, Countdown!

How did you get started writing a trilogy about the 1960s?

I started one story that took place in 1962, and then another that took place in 1966. They weren’t related, although they both took place in the sixties.

At some point, I realized that, with one more story — I chose 1968, it’s such a rich year — I would have a look at the entire decade, so I proposed a trilogy of connected novels about the sixties to my publisher. This evolution took place over several years. I had lots of stops and starts. I started Countdown as a picture book in 1996, while freelancing and being a full-time mom as well. It grew up as my children (and I) did.

What do you hope kids will learn about the ’60s while reading your book?

I hope they see themselves in these novels. I hope they understand that history is really biography — personal narrative — and that their stories are important.

I always say that all stories come from three places: what you know and remember, what you feel, and what you can imagine. I hope kids will understand that, in the sixties (and in all of history), there is context for the life they live today, that there is choice, that they can make choices in their own lives today and tomorrow, that make a difference in the world.

I also hope that they laugh and love, right along with Franny.

Some people have referred to Countdown as a graphic novel or a documentary novel. What are they talking about, and how do you use the images to enhance your story?

As I wrote Countdown, I began collecting primary source materials in my research, and I started a file, a Word document, to house all these photos and sayings, newspaper clippings and song lyrics, etc. Soon, I discovered that I was using them to help me tell the story, and I could see that they belonged in the story, and — more than that — they were an actual part of the narrative. So I began to use them in that way, and you’ll find that Countdown is full of photographs and clippings and the social and political commentary of the early sixties.

Did you enjoy growing up in the ’60s?

I loved growing up in the sixties. Of course, I wasn’t aware that it was “the sixties,” but I surely knew that things were changing fast, right under my nose. One day Elvis was in, the next day it was the Beatles. The same with fashion and food and movies and culture — it was an exhilarating time to be alive.

Our kids today are surrounded by bad news — wars, terrorists, bombings, natural disasters. Yet, each generation must find reason to hope. How does learning about our past give students a better vision for the future?

The 1960s was one of the most turbulent, changing, challenging, and defining decades in American history. There was so much dire news then, as well, especially surrounding the war in Vietnam and the civil rights movement. There was cause to be afraid. And there was always hope.

And love. With Countdown, I hope to grab the reader’s imagination and heart and let her know that there is always cause to be afraid in the world, and yet, there is always, always hope.

There are heroes. And we are they. Each of us, individually, can be heroic in our own ways. And are. The way we live through hard times is by coming together.

Do you have an idea for what the next book in the series will be about?

Oh, yes. The next book takes place in 1966 and revolves around the civil rights movement in this country, and the escalation of the war in Vietnam. That’s the larger history arc. The story involves two girls, cousins, who are making a trip from Mississippi to Memphis to find Elvis Presley, whom one of the girls is convinced, with reasonable proof, is her father.

One last question. Many of us here are parents trying to balance a desire to write with managing our homes and families. You didn’t start out as a novelist, did you? Can you share how your writing journey evolved and give us a couple of tips for hanging in there when we’re jotting stories on the back of the box of animal crackers at the playground?

I love this question. It speaks to the heart of my writing life. I knew, when I was in my twenties and had two young children, that I wanted to be a writer, but I didn’t understand what I had to write about — the desire was so strong, but I didn’t have a story. Or, more accurately, I didn’t understand my story.

In the library, I stumbled across the great essayists — E.B. White was my favorite — and began to see that I could write about my everyday life and turn that into story. I read and practiced for a long, long time. I wrote with a toddler holding onto my leg and saying, “Play, Mommy!” and I wrote at 2am. I wrote with a kindergartener doing his homework beside me. I wrote in fifteen-minute snatches.

I also read what I wanted to write — I checked out bags of books from the library and studied them as I read them to my children. Two books that meant a lot to me were WHEN I WAS YOUNG IN THE MOUNTAINS by Cynthia Rylant and HONEY I LOVE by Eloise Greenfield. I took those books apart, to see how they were structured. I so admired Molly Bang’s TEN NINE EIGHT, that I took it apart as well, and — years later — wrote ONE WIDE SKY.

I studied writers I admired. I took a writing class from a good teacher at the local community college, and then another one. I sent stories to New York publishers for ten years before someone was willing to work with me… and then it took another five years before FREEDOM SUMMER and LOVE, RUBY LAVENDER were published.

In those ten years, and in the ten years before that, I freelanced. I wrote essays and magazine features, and I was largely self-taught. I worked for free at first, in order to gather clips. I took those clips to larger papers and magazines, and eventually got paid. I got into a routine that had me up at 4am, writing, every day. It’s a habit I still adhere to today, and it serves me well. No one was awake at 4am, and I could get in two good hours of writing time before it was time to make breakfast for four children and see my husband out the door.

Wow. That’s an amazing schedule. I admire you for being able to get up that early.

A good friend told me once, “you have to want it more than sleep.” I’m not sure about that. What I do know that I was compelled to tell my story. I needed to tell it. Over and over again. And I still feel that compulsion today. I’m still writing out of my life, telling my story. I appreciate the chance to tell some of it here, at Mom2Mom. Thanks very much.

Thank YOU, Deborah, for taking time out of your busy schedule to speak to us here and encourage us in our reading, writing, and parenting journeys. You have blessed us here more than you’ll ever know!

You can read more about Deborah Wiles’ novels on her website. And here’s a book trailer where you can also SEE an interview with the author:

Those of you who’ve been around me in real life know I’ve been on a Harper Lee kick lately. For a while, I managed to bring her name into just about every conversation.

It looks like rain today. Hey, that reminds me of the weather in Monroeville where Harper Lee lives.

Are you going on the field trip next week? Hey, did you know Harper Lee was from Alabama and moved to New York in her 20s?

Have you read any good books lately? I’m reading To Kill a Mockingbird again. Have you ever read it?

I can blame it on my local public library. Back in March, they hosted the first annual BIG READ event, inviting the whole town to read To Kill a Mockingbird together.

I couldn’t believe it. People of all ages reading the same book together! (Can you hear the harp music now?) Our library used some grant money to buy dozens of copies of the book, as well as DVDs of the movie, and recent biographies of Harper Lee by author Charles Shields.

If that weren’t enough, there were special speakers and events every week. I almost made it to everything. It was heavenly for me, since everything was local and FREE.

The first major event was a public showing of the movie, “To Kill a Mockingbird,” starring Gregory Peck. I gathered a group of friends and their kids, and we all went together. It was my third time seeing the movie that month, since I’d watched the DVD twice already, with and without the director commentary. So you see, I was a little obsessed.

At the movie night, we listened to guest speaker, Mary Badham, the actress who played Scout in the movie. Oh, she was wonderful. She told us funny stories about how she got chosen to play Scout and how she and Philip Alford, the boy who played Gem, used to fight and tease each other with squirt guns.

Before the movie started, she signed a copy of the photograph below for us, which I’ll always treasure:

Mary Badham was so gracious. I know she has been answering the same questions over and over for decades, but she made it so fresh and new for all of us. She did tell us that she can’t watch the movie anymore “because everybody in it is gone now. It’s just me and Philip (Gem) who are left.” Gregory Peck passed away in 2003.

A couple of weeks later, we were visited by Charles Shields, the author of the best biography you can find on Harper Lee. She really is a mysterious writer, refusing to do any interviews since the ’60s. Shields took four years writing his book about Harper Lee, completely without any cooperation from her. He conducted over 600 interviews, which make this a thoroughly fascinating read.

She only wrote ONE BOOK, by golly. It took her ten and a half years to finish it. She moved from Alabama to New York to be near her friend, Truman Capote (who is the character Dill in the novel), and to start a writing career. She lived in a tiny apartment with no hot water and wrote on a homemade desk made from a closet door.

Shields told us, at one point, Lee became so frustrated, that in the summer of 1957, she threw her manuscript out the window! She called her editor and said, “I give up.” Her editor told her to get out there and collect the pages of her manuscript or she’d have to pay back her advance. Lee couldn’t afford to do this, so she finally turned it in.

To Kill a Mockingbird was published in 1960, and it became an instant success, earning her the Pulitzer Prize. The movie version, with a screenplay by Horton Foote, won four academy awards in 1962. It has never gone out of print, has sold 30 million copies, and still sells a million copies yearly. The book is required reading by nearly every public high school in America.

Yet she never wrote another book. She’s in her 80s now and still lives a quiet life in Monroeville, which is now known as “the literary capital of Alabama.”

Since 2010 marks 50 years since the publication of Lee’s world-famous novel, Monroeville is hosting a 50th anniversary celebration in July. There will be all kinds of literary tours and events, and even a giant birthday party for the book. You can read all about it here.

Harper Lee did publish a few essays in magazines in the 1960s. If you’re curious, here are a couple of links:

Love–In Other Words, published in Vogue Magazine in 1961

Christmas To Me, published in McCall’s magazine, December 1961

I recently found out our BIG READ book for next year will be The Great Gatsby. Good thing, because I’ve also been on a Zelda Fitzgerald kick lately. But that’s a whole ‘nother story.

Her debut novel, Autumn Winifred Oliver Does Things Different, made me laugh and want to know more about her. So here she is, coming to chat with us all the way from Nashville, Tennessee.

Welcome, Kristin! How did you come up with the idea to write your first novel?

I grew up in Athens, Tennessee, about an hour and a half south of Cades Cove. We visited the park dozens of times when I was a kid, when my cousins would visit from Chicago.

But in 2002, I went on a tour of the Cove, and was standing in John Oliver’s cabin when the tour guide mentioned that at one point, 12 people lived in the tiny log dwelling. Twelve people! This place had no running water, a handful of windows, and was slightly larger than a luxury closet. How in the world did they live?!

It occurred to me that this place that I’d visited dozens of times as a tourist had once been someone’s home. I wondered: how does one’s home become a national park?

I’ve visited Cades Cove many times, but once I got the idea to set a novel there, I returned and took dozens of pictures and many notes. Too, I came across a research goldmine: in the basement of the Sugarlands Visitor’s Center near Gatlinburg, there is a library/archive that is solely dedicated to preserving the culture and artifacts of the people who lived in the areas that are now part of the Great Smoky Mountains National Park.

They’ve collected everything from recipes and church hymnals to school textbooks and photographs. Land deeds, descriptions of school-yard games, farming techniques — it’s all there. Heaven for an historical fiction researcher!

Are there any locals still around who remember what it was like when the government came in and turned their homes into a national park?

All around East Tennessee, there are people who were born in Cades Cove and spent their childhoods there. I’m constantly amazed at how many people tell me part of their family is from there.

One such person is Dr. Durwood Dunn, a professor at Tennessee Wesleyan College in Athens, Tennessee. Dr. Dunn was very patient, answering several of my questions while I wrote the book. He’s considered one of the foremost scholars on the history of Cades Cove, and his book, Cades Cove: The Life and Death of a Southern Appalachian Community, 1818-1937, was one of the most useful books I used in the research stage.

Have you always had an interest in writing historical fiction?

Absolutely! I love reading historical fiction, and research is one of my favorite parts of the writing process.

Are you anything like your main character, Autumn? Do you like to “do things different” as well?

I wish I were more like Autumn! She’s spunky and spirited and creative, and she definitely does things different! I’m much more of a rule-follower than Autumn.

Autumn is so funny. Did you ever crack yourself up while writing?

Thank you! Actually, yes, I did crack myself up a few times while writing this book. (I also cried near the end — but NO SPOILERS from me!

I think if you’re immersed in the writing that much — so much that it makes you laugh and cry and feel so deeply — your readers are much more likely to get that from the story, too. At least, I hope so! Of course, anyone who knows me knows I laugh and cry VERY easily!

What was your favorite scene to write?

Probably the opening scene. I’d been researching Cades Cove for several months, and I was itching to begin the writing process. A contest was coming up, and I wanted to enter it. I pounded out the opening scene, title of the book included, in about an hour. (Of course, it went through MANY — manymanymany — rounds of edits after that!)

Something that strikes me as odd about the writing process: I can remember exactly where I was writing, what I was thinking and feeling, when I reread sections of the book now. It’s like listening to an old song, one that transports you to a specific place and time. Just one more thing I love about writing!

That’s all so interesting, especially for an adult reader to know more about your writing process. OK, here’s a question on a different subject. I heard that you actually got to INTERVIEW one of my all-time favorite authors, Madeleine L’Engle. Can you share with us how it all happened? That is truly amazing!!

I know, right?! When I was in sixth grade, my fantastic elementary school librarian, Sheila Rollins, instituted a wonderful program: any student could read three of an author’s books, then interview that author by telephone. I remember exactly two things about the interview:

1. The interview was conducted via a speakerphone! It was the coolest piece of technology my 11-year-old self had ever seen. Very Charlie’s Angels.

2. When I told Ms. L’Engle that I, too, wanted to be a writer, she responded, “Good for you! Keep reading and you can do it.”

Wow! I’m sure she’s inspired many of her readers to become writers. Well, Kristin, after reading your book, some friends and I are trying to plan a family trip to Cades Cove. Do you have any recommendations for places we should visit?

You absolutely need to visit the Arts & Crafts Community, a loop just outside Gatlinburg about 8 miles long with dozens and dozens of artists working and living in a gorgeous, creative community.

If you have time, check out the Arrowmont School and see if they’re offering a craft class that you’d be interested in taking. There are always festivals and celebrations in nearby Gatlinburg, so check with the Gatlinburg Chamber of Commerce to see what might be going on while you’re there.

And of course, you’ll want to hike the many trails throughout Cades Cove and in other sections of the gorgeous Great Smoky Mountains National Park.

Thanks for all these great tips! Can you tell us a little bit about your next book?

Sure, here’s the jacket copy for Selling Hope, which will be released November 9 from Feiwel & Friends/Macmillan. I wish I could share the cover with you, because it is SOOOO PRETTY!

It’s May 1910, and Halley’s Comet is due to pass thru the Earth’s atmosphere. And thirteen-year-old Hope McDaniels and her father are due to pass through their hometown of Chicago with their ragtag vaudeville troupe. Hope wants out of vaudeville, and longs for a “normal” life—or as normal as life can be without her mother, who died five years before. Hope sees an opportunity: She invents “anti-comet” pills to sell to the working-class customers desperate for protection. Soon, she’s joined by a fellow troupe member, young Buster Keaton, and the two of them start to make good money. And just when Hope thinks she has all the answers, she has to decide: What is family? Where is home?

Our family loves Buster Keaton! Here’s one last question: do you have any tips for parents who are trying to carve out a little time and energy to write while shuffling kids into carpools and packing school lunches? How do you manage to squeeze it all in?

I wish I could say that I have this amazing time-pause button, or a clone machine, or an inherited gene that allows me to stay awake for weeks on end. But in reality, I have a wonderful husband who knows that when I’m starting to look stressed, a little writing time will go a long way toward curing that.

I also have a sitter who watches my youngest (a very active 3-year-old boy) a couple of times a week while I write and promote. I have a voice-recorder app on my iPhone, and I record ideas on it when I can’t get to a pen (which is almost always).

So yes, CARVING out time is exactly what I do. Writing is a priority for me, and I treat it like a career. The best career in the world!

Thank you so much for your inspiration, Kristin, and for sharing with us your behind-the-scenes process of writing!

You can read more about Kristin O’Donnell Tubb on her website and her Do Things Different blog. And here’s a really fun video I found about Cades Cove, in case you’re feeling the itch to travel to Tennessee.